CD + 12pp full colour booklet, 55:39.35, 25 tracks
All recordings by Paul Williams @ SANTA POD, Podington, England on May 29, 31 & July 3 1999 All photographs by Jeremy Larkin (firstname.lastname@example.org) Mastered by Denis Blackham @ Country Masters, Frimley, England on July 26th 1999 Scans by Orange Communications Ltd with thanks to Mark Blacklock, Katie Lundy and Esther Owen; Keith Bartlett and Caroline Day at SANTA POD Raceway, and the commentators, Graham Beckwith and Paul they are men of our times.
DO NOT MISTAKE THIS COMPACT DISC FOR A MUSICAL PRODUCT
“Alot is good, but too much is just enough” (Old Hot-Rodders saying)
1999 marks the 50th year of drag racing, after the first official meeting was held in 1949 on the streets of Goleta in California. Then, the quarter of a mile course took 11 seconds with the vehicles travelling at over 150 mph. Now, they race at over 300 mph, taking just 4.5 seconds. The vehicles are completely purpose-built and represent the extreme fringe of non-commercially motivated technological research.
Santa Pod Raceway was started in 1966 on the site of an old American airbase. It is the home of European Drag Racing and host to the FIA European Drag Racing Championships. Drag racing is the fastest and loudest motorsport on Earth with sensational race action from dragsters and door-slammers to beetles and bikes. See 0-100mph in under 1 second and make your ribs rattle, your brain shake and your ears roar!
This CD captures all the thrills and spills of Drag Car Racing – an activity at the cutting edge of technology. For fans and audio buffs alike, use this CD to recreate the awesome power in your own living room, or frighten the daylights out of the dancefloor by using this as a DJ tool. Monster! Monster!
“I’m a fan!” Ramon Bauer [MEGO]
‘the “santa pod” CD ROCKKKKKKKKKKKKKKKKKKS!!!!!!!!!! fucking rock my assssssss!!!!!’ [Daniel Menche]
TOP Magzine (Tower Records) Dec 1999/Jan 2000:
Uneasy Rider by Edwin Pouncey
If the roar of jet engines and the smell of burning rubber on asphalt grabs your senses, then drag racing is the sort for you. The only place to witness it professionally in the UK, however, is at Santa Pod, a disused US air base outside London that during the summer months plays host to some of the world’s fastest machines on four wheels. The big sound of the drags has now been lovingly caotured by PAUL WILLIAMS on Santa Pod, an aural documentary of a day at the drag races that captures the heart-fluttering adrenaline-rush of being in the grandstand when a Top Fuel dragster lets rip with ear-splitting intensity. Beyong rock ‘n’ roll (and even Japanoise!), drag racing in the raw is a sound that will flood you with fear and joy.
Quick Times Racing News (UK):
Suffering from those drag racing withdrawal symptoms already? Wondering where your next fix is coming from? Then fear not because self-confessed drag racing and ‘noise’ fan Paul Williams has come to the rescue by producing an audio CD of racing sounds. Your lounge can now become the startline of Santa Pod Raceway to soak up the complete sounds of a day at the races. Captured at the Main Event and Cannonball race meetings, Paul wandered far and wide with the latest in high-tec recording equipment, and has edited together an hour or so of the best of the sound action. As you would expect the CD contains the sounds of a range of cars and bikes recorded from all parts of the race track, but bonus tracks include crews working in the pits, conversations on the spectator bank, and highlights from the repetoire of track announcers Graham Beckwith and Paul Venners.
Enjoy with the sound at maximum rpm!
Boston’s Weekly Dig (USA):
Possibly the most intriguing release in recent months comes Santa Pod, an obscure collection of 25 drag racing-related samples, recorded independently at random intervals over a period of 60 minutes in 50 years. It is by no means the type of release that invokes the ‘Get It’ mentality; as one sample drifts into the next containing all elements of raceway chaos from the fumes to the roar of the crowd to the reek of burning rubber melting in the hot sun. At moments the mix is a distant ebbing from venue loud speakers of track commentators, and at other intervals the horrifying sound of exploding nitrous engines churn loudly as wheels disintegrate on the scorching tarmac. Santa Pod is the project name of this multi-layered thematic compilation. I find the relevance of the release an eclectic novelty, and can only see the application of the CD as a sampling source for DJs with passions for raceway beat antics. The best results with this album take three mega-mega bong hits and place your headphone firmly over your ears for maximum listening enjoyment. [Alkemist]
The still-stirring Ash International [R.I.P.] label commemorates the 50th anniversary of drag racing with a sonic tribute to the sport. Paul Williams set up his sensitive microphones at Santa Pod, an English raceway, and captured all the sound and spectacle of a day at the races. Announcers drone over the roar of the engines; spectators whistle, cheer, and mutter amongst themselves; dragsters guzzle their nitromethane lunches and leap from the starting line like thunderclaps. If not quite as viscerally gratifying as being there, the superb recordings do convey the excitement of the event. Williams‚ fine liner notes explain the multiple levels on which SANTA POD functions. First and foremost, the CD is an audio document of a real place, presented in real time. Since drag racing is a modern phenomenon – and a popular one, at that – SANTA POD preserves a technological and sociological moment in history. Williams‚ recordings also reflect Santa Pod’s acoustic peculiarities, and the discrepancies between the flat PA delivery and the racers‚ ear-bending Doppler shifts would be of great interest to those with a bent for spatial sound-science. Finally, those mighty “thundering gods” of the racetrack promise˜and certainly deliver˜the hair-raising, spine-snapping noise thrills audio-masochists and perverse DJS crave. [email@example.com]